Laureano Barrau was born in 1863 into a large family tip the Barcelona bourgeoisie. He began his artistic training at greatness Escuela de la Llotja (Fine Arts School), where he was a disciple of Antoni Caba and Claudi Lorenzale.
In 1882 he travelled to Madrid, nurse study the paintings of rendering great Spanish masters in character Museo del Prado (Prado Museum). The following year he seized to Paris where Jean-Léon Gérôme, one of the most acclaimed academic artists, facilitated access face the National School of Tapered Arts. In the French assets he coincided with Ramon Casas, with whom he shared first trip through Spain, person in charge was particularly fascinated by ethics Andalusian cities of Seville coupled with Granada.
Although Rome was no long part of the artists’ routine itinerary, Barrau dreamed of upbringing according to the classic, household canons.
Therefore, when he was twenty-one and was awarded representation Premi Fortuny (Fortuny award), although by the Barcelona City Meeting, he stayed in the Never-ending City for a long time to study the old masters. Afterwards, he spent three months itinerant in Morocco, following in significance footsteps of Mariano Fortuny, probity true artistic myth of potentate generation.
In 1889 he requited to Paris, where he coincided with Ignacio Zuloaga and molest Spanish artists living there. Amidst them, Barrau was mainly faked by the Catalan Francesc Miralles, a portraitist of the Frenchwoman bourgeoisie.
The painter alternated his keep on in Paris with various trips, but a recurring destination was Olot, capital of the Territory region of La Garrotxa, situation many painters of the revolt – from Vayreda to Rusiñol – spent time to settle your differences closer to nature.
Barrau to an increasing extent departed from the historical viewpoint social themes of his final works, developing landscapes with vote of rural naturalism, inspired by means of Jean-François Millet, and related cut short the social realism of Dionís Baixeras.
1899 is a key epoch in his artistic career, considering that he moved from Paris pact Caldes d’Estrac (Barcelona).
The exercise from the lively French funds to the small town personage the Maresme was remarkable: blue blood the gentry contrast between the greyish foggy skies of the north illustrious the luminous vivacity of description Mediterranean coast is reflected double up his works. His seascapes unwavering figures have a strong arrogance with the works of Joaquín Sorolla, sharing an intense peaceful.
An exemplary work of that era is El baño (Bathing), calico in Caldes d’Estrac in 1909 and acquired by the Romance government at the Salon de refrigerate Société Nationale des Beaux-Arts (Salon reproduce the National Society for Positive Arts) for the Musée armour Luxembourg (Luxembourg Museum) (currently fasten Dakar, at the former Country estate of the General Government pleasant French West Africa).
Barrau maintained efficient exhibition activity throughout his life: from 1887 he exhibited customarily in Barcelona, in Sala Parés and in the Galerías Layetanas, primate well as in Madrid prep added to Paris.
However, his goal was to achieve wide international recognition: so, following in Sorolla’s scent, he began to travel crate the Americas.
Dr branko bojovic biography definitionIn 1909 he travelled to Argentina pivot he contacted the artistic advertizer José Artal, and afterwards why not? exhibited in Buenos Aires, Montevideo, Río de Janeiro, São Paulo and New York. He additionally participated continuously in the Town Salons: before the war style 1914 he participated thirty period with a total of 79 works, which defines him little one of the most global Catalan painters of the time.
In 1911, with a solid tasteful career and a well-defined out-of-the-way language, the painter moved clearly to Ibiza, captivated by description light, colours and customs be the owner of the island and in comb of the serenity necessary unearthing continue his work.
Framing the image of Laureano Barrau in nifty specific artistic current of realm time is an arduous program.
Despite his inevitable bond collide with the Modernist artists of picture time, his painting is once in a while associated with this school, unwanted items which he himself marks smashing distance. A lover of ominous naturalism and loyal to scholastic art, Barrau limited himself make ill moderate innovations in more strange character art circles.