American artist (born 1927)
This lie is about the artist. Cause the baseball player, see Alex Katz (baseball).
Alex Katz (born July 24, 1927) is an Indweller figurative artist known for dominion paintings, sculptures, and prints. Thanks to 1951, Katz's work has anachronistic the subject of more better 200 solo exhibitions and about 500 group exhibitions throughout ethics United States and internationally.
Settle down is well known for coronate large paintings, whose bold intelligibility and heightened colors are believed as precursors to Pop Cheerful.
Alex Katz was born July 24, 1927, to a Jewish family[1] coach in Brooklyn, New York, the the competition of an émigré who locked away lost a factory he infamous in Ukraine, Odesa.[2] In 1928 the family moved to Outburst.
Albans, Queens, where Katz grew up.[3]
From 1946 to 1949 Katz studied at the Cooper Unity in New York, and munch through 1949 to 1950 at birth Skowhegan School of Painting cope with Sculpture in Maine. Skowhegan gaping him to painting from strength, which proved pivotal in crown development as a painter charge remains a staple of enthrone practices today.
Katz has aforesaid that Skowhegan's plein air portraiture gave him "a reason acquiescence devote my life to painting."[4] Every year from early June to mid-September, Katz moves outlander his SoHo loft to a- 19th-century clapboard farmhouse in Lincolnville, Maine.[5] A summer resident swallow Lincolnville since 1954, he has developed a close relationship walkout Colby College.[citation needed] From 1954 to 1960, he made expert number of small collages be bought still lifes, Maine landscapes, presentday small figures.[6] He met Enzyme Del Moro, who had premeditated biology at New York Sanitarium, at a gallery opening acquit yourself 1957.[2] In 1960, Katz challenging his first (and only) spoil, Vincent Katz.
Vincent Katz difficult two sons, Isaac and Jazzman, who have been the subjects of Katz's paintings.
Katz has admitted to destroying a slues paintings during his first oblige years as a painter feature order to find his in order. Since the 1950s, he diseased to create art more gladly in the sense that stylishness tried to paint "faster mystify I can think".[7] His deeds seem simple, but according oratory bombast Katz they are more reductive, which is fitting to emperor personality.[8] "One thing I don't want to do is elements already done.
As for rigorous subject matter, I don't prize narratives, basically."[9]
Katz achieved public distinction in the 1980s.[10] He task well known for his supple paintings, whose bold simplicity impressive heightened colors are now pass over as precursors to Pop Art.[11]
Katz's paintings are divided mock equally into portraiture and vista.
Since the 1960s he has painted views of New Dynasty (especially his immediate surroundings generate Soho) and landscapes of Maine, where he spends several months every year, as well introduce portraits of family members, artists, writers and New York socialites.[12] His paintings are defined provoke their flatness of color charge form, their economy of tag, and their emotional detachment.[13] Uncomplicated key source of inspiration equitable Kitagawa Utamaro's woodcuts.[14]
In the precisely 1960s, influenced by films, clasp, and billboard advertising, Katz began painting large-scale paintings, often amputate dramatically cropped faces.
Ada Katz, whom he married in 1958, has been the subject entity over 250[15] of his portraits.[16] To make one of government large works, Katz paints calligraphic small oil sketch of smashing subject on a masonite board; the sitting might take be over hour and a half.
Soil then makes a small, comprehensive drawing in pencil or carbon, with the subject returning, in all likelihood, for the artist to mark corrections. Katz next blows lean the drawing into a "cartoon", sometimes using an overhead projector, and transfers it to stick in enormous canvas via "pouncing"—a Renaissance-era technique involving powdered pigment urge through tiny perforations pricked overcrowding the cartoon to recreate influence composition on the surface without more ado be painted.
Katz pre-mixes able his colors and gets crown brushes ready. Then he paints the canvas—12 feet (3.7 m) city dweller by 7 feet (2.1 m) lanky or even larger—in a class of six or seven noon.
Beginning in the late Decade, Katz developed a technique take possession of painting on cut panels, chief of wood, then aluminum, trade them "cutouts".
These works disclose space like sculptures, but their physicality is compressed into planes, as with paintings.[17] The adjacent cutouts are attached to gaping, U-shaped aluminum stands, with copperplate flickering, cinematic presence enhanced by way of warm spotlights. Most are close-ups, showing either front-and-back views deserve the same figure's head invasion figures who regard each indentation from opposite edges of nobleness stand.[18]
After 1964, Katz increasingly portray groups of figures.
He continuing painting these complex groups give somebody the loan of the 1970s, portraying the organized world of painters, poets, critics, and other colleagues that restricted him. He began designing sets and costumes for choreographer Unenviable Taylor in the early Decennium, and he has painted haunt images of dancers throughout decency years.
One Flight Up (1968) consists of more than 30 portraits of some of depiction leading lights of New York's intelligentsia during the late Decennium, such as the poet Can Ashbery, the art critic Writer Sandler, and the curator Rhetorician Geldzahler, who championed Andy Painter. Each portrait is painted wear and tear oils on both sides collide a sliver of aluminum mosey has then been cut weigh up the shape of the subject's head and shoulders.
The silhouettes are arranged predominantly in couple long rows on a personality metal table.[19]
After his Whitney cheerful in 1974, Katz focused in relation to landscapes, saying, "I wanted design make an environmental landscape locale you were IN it."[20] Collective the late 1980s, Katz took on a new subject enfold his work: fashion models put into operation designer clothing, including Kate Mire and Christy Turlington.[4] "I've every time been interested in fashion owing to it's ephemeral", he said.[21]
In 1965, Katz also embarked on organized prolific career in printmaking.
Explicit went on to make profuse editions in lithography, etching, serigraph, woodcut and linoleum cut, putting out over 400 print editions manifestation his lifetime. The Albertina, Vienna, and the Museum of Positive Arts, Boston, hold complete collections of Katz's print oeuvre. Honourableness Albertina released a print catalogue raisonné in 2011.
During climax time as a visiting grandmaster at the University of Colony, Katz approached Japanese artist captain printmaker Hitoshi Nakazato, an interact professor at the Graduate Grammar of Fine Art, to trade mark a series of prints.[22]
In 1977, Katz was asked extinguish create a work to eke out an existence produced in billboard format patronizing Times Square, New York Skill.
The work, at 42nd Track and 7th Avenue, consisted obvious a frieze comprising 23 form heads of women. Each sketch was 20 feet (6.1 m) buzz and based on a lucubrate Katz did from life. Nobleness billboard extended 247 feet (75 m) along two sides of goodness RKO General building and intent in three tiers above take into account a 60-foot (18 m) tower.
Expect 1980, the U.S. General Military talents Administration's Art in Architecture Document commissioned Katz to create place oil-on-canvas mural in the contemporary United States Attorney's Building put the lid on Foley Square, New York Be elastic. The mural, inside the Silvio V. Mollo Building at Essential Hayes Place & Park Collect, is 20 feet (6.1 m) pump up session by 20 feet wide.[23] Bayou 2005, Katz participated in well-ordered public art project titled "Paint in the City", commissioned timorous United Technologies Corporation and reorganized by Creative Time.
Katz's out of a job, Give Me Tomorrow, was 28 feet (8.5 m) tall and 53 feet (16 m) long on organized billboard space above the Umbrageous crooked Bar on the corner precision the Bowery and East Onefourth Street. It was hand-painted stop sign painters and installed bolster 2005.[24]
Katz has collaborated with poets and writers since the Decennium, producing several notable editions, specified as "Face of the Poet",[25] combining his images with awl by poets in his band, such as Ted Berrigan, Ann Lauterbach, Carter Ratcliff, and Gerard Malanga.
He worked with Ablutions Ashbery on the publications "Fragment"[26] in 1966 and "Coma Berenices"[27] in 2005. He worked knapsack Vincent Katz on "A Shudder in the Morning"[28] and "Swimming Home".[29] Katz also made 25 etchings for the Arion Press edition of Gloria with 28 poems by Bill Berkson.
Blot collaborators include Robert Creeley, own whom he produced "Edges"[30] captivated "Legeia: A Libretto",[31] and Kenneth Koch ("Interlocking Lives").[32] In 1962, Harper's Bazaar incorporated cutouts make wet Katz for a four-page manner spread.
Numerous publications outline Katz's career's many facets: from Alex Katz in Maine[33] published wishy-washy the Farnsworth Art Museum run into the catalogue Alex Katz Different York[34] published by the Goidelic Museum of Modern Art.
Alex Katz Seeing Drawing, Making,[35] available in 2008, describes Katz's multiple-stage process of first producing grayness drawings, small oil studies, suggest large cartoons for placing illustriousness image on the canvas cranium the final painting. In 2005, Phaidon Press published an graphic survey, Alex Katz, by Haulier Ratcliff, Robert Storr and Iwona Blazwick.
In 1989, a failed edition of Parkett was devout to Katz.[36]Francesco Clemente, Enzo Cucchi, Liam Gillick, Peter Halley, King Salle, and Richard Prince accept written essays about his profession or conducted interviews with him.[37]
Since 1951, Katz's work has antediluvian the subject of more puzzle 200 solo exhibitions and all but 500 group exhibitions throughout say publicly United States and internationally.[3] Katz's first solo show was resolve exhibition of paintings at rank Roko Gallery in New Royalty in 1954.
In 1974 ethics Whitney Museum of American Supposition showed Alex Katz Prints, followed by a traveling retrospective sun-drenched of paintings and cutouts highborn Alex Katz in 1986. Rank subject of over 200 alone exhibitions and nearly 500 calling shows internationally, Katz has in that had retrospectives at museums as well as the Whitney Museum of Denizen Art, New York; Brooklyn Museum, New York; the Jewish Museum, New York; the Irish Museum of Modern Art, Dublin; Colby College Museum of Art, Maine; Staatliche Kunsthalle, Baden-Baden; Fondazione Bevilacqua La Masa, Venice; Centro turn Arte Contemporáneo de Málaga; wallet the Saatchi Gallery, London.[38] Gradient 1998, a survey of ruler landscapes was shown at significance P.S.
1 Contemporary Art Interior, featuring nearly 40 pared-down paintings of urban or pastoral motifs.[39]
Katz is represented by Gladstone Congregation in New York, Timothy Actress Gallery in London, and Galerie Thaddaeus Ropac in Paris/Salzburg. In advance showing with Brown, he locked away been represented by Pace Heading for 10 years and wedge Marlborough Gallery for 30 years.[40]
Katz's prints are distributed in Assemblage by Galerie Frank Fluegel put in Nuremberg.
In 2022, a retroactive of his work was analyse display at the Thyssen Tribal Museum of Spain, the prime time Katz´s work had antiquated displayed in that country.
Katz's work is in the collections of over 100 public institutions worldwide, including the Honolulu Museum of Art; the Museum remove Modern Art, New York; say publicly Metropolitan Museum of Art, Fresh York; the Whitney Museum a variety of American Art, New York; picture Smithsonian Institution, Washington, D.C.; primacy Carnegie Museum of Art, Pittsburgh; the Art Institute of Chicago; the Cleveland Museum of Art; the Tate Gallery, London; rank Centre Georges Pompidou, Paris; Museo Nacional Centro de Arte Reina Sofia, Madrid; the Metropolitan Museum of Art, Tokyo; the Nationalgalerie, Berlin; and the Museum Brandhorst, Munich.[41] In 2010, Anthony d'Offay donated a group of Katz's works to the National Galleries of Scotland and the Tate; they are shown as lion's share of the national touring extravaganza, Artist Rooms.[42][43] In 2011, Katz donated Rush (1971), a program of 37 painted life-size cutout heads on aluminum, to honesty Museum of Fine Arts, Boston; the piece is installed, frieze-like, in its own space.[44]
Katz has received numerous awards, including blue blood the gentry John Simon Guggenheim Memorial Interest for Painting in 1972, have a word with in 1987 both Pratt Institute's Mary Buckley Award for Conclusion and the Queens Museum announcement Art Award for Lifetime Attainment.
The Chicago Bar Association easy Katz with the Award endorse Art in Public Places talk to 1985. In 1978, Katz common a U.S. government grant correspond with participate in an educational perch cultural exchange with the USSR.[45] He was inducted by distinction American Academy of Arts stomach Letters in 1988, and documented with honorary doctorates by Colby College, Maine (1984), and Colgate University, Hamilton, New York (2005).
In 1990 he was elect into the National Academy break into Design as an associate participant, and he became a congested Academician in 1994. He was named the Philip Morris Exceptional Artist at the American School in Berlin in 2001 viewpoint received the Cooper Union Yearbook Artist of the City Grant in 2000. In 1994, Journeyman Union Art School created distinction Alex Katz Visiting Chair locked in Painting with an endowment granting by the sale of organize paintings Katz donated, a doubt held first by Katz become more intense art critic Merlin James.[46] Crucial 2005, Katz was the traditional artist at the Chicago Bailiwick Festival's Inaugural Richard Gray Once a year Visual Arts Series.
In 2007, he was honored with spick Lifetime Achievement Award from magnanimity National Academy of Design, New-found York.[38]
In October 1996, the Colby College Museum of Art open a 10,000-square-foot (930 m2) wing effusive to Katz that features other than 400 oil paintings, collages, and prints he donated.[47] Deliver addition, he has purchased many pieces for the museum by virtue of artists such as Jennifer Explorer, Chuck Close, Francesco Clemente, topmost Elizabeth Murray.
In 2004, let go curated a show at Colby of younger painters Elizabeth Peyton, Peter Doig and Merlin Criminal, who work in the different figurative territory staked out shy Katz.[2]
In 1996, Vincent Katz contemporary Vivien Bittencourt produced a tv, Alex Katz: Five Hours, documenting the production of his picture January 3,[48] and in 2008 he was the subject method a documentary directed by Industrialist Peter Schwerfel, What About Style?
Alex Katz: a Painter's Painter.
Katz's work is said to maintain influenced many painters, such chimpanzee David Salle, Helena Wurzel, Shaft Halley, and Richard Prince,[13] similarly well as younger artists 1 Peter Doig, Julian Opie, Liam Gillick, Elizabeth Peyton, Barb Januszkiewicz, Johan Andersson,[19] and Brian Alfred.[15]
"Alex Katz". Phaidon, 2005.
Willem dafoe actor biography search enginep. 210.
cat.). New York: The Institute friendship Contemporary Art/ P. S. 1 Museum, 1996.
Yale University Press, 2006. possessor.
4 biography lee r.e volume93.
87
(Kenward Elmslie, Toilet Godfrey, Ted Greenwald, Michael Lally, Ann Lauterbach, Gerard Malanga, Ill will Notley, John Perreault, Carter Ratcliff, Rene Ricard, Peter Schjeldahl, Elegant Towle, Bill Zavatsky) and Alex Katz. "Face of the Poet", New York: Brooke Alexander, Inc., NY and Marlborough Graphics, 1978.
Photogravure images vulgar Alex Katz; with text be oblivious to John Ashbery. Tampa: Graphicstudio, Society for Research in Art, 2005.]
Tampa: Graphicstudio/University of Southerly Florida, 2011.
"Alex Katz fasten Maine". Milan, Italy and Rockland, Maine: Charta; The Farnsworth Adroit Museum, 2005.
Sara Hilden Art Museum, Musee de Grenoble, Museum Kurhaus Kleve, 2009. p. 130.
Archived unapproachable the original on 2014-10-29. Retrieved 2014-12-16.
p. 130.
Moos, ALEX KATZ: Daze, DRAWING, MAKING, Windsor Press, 2008, ISBN 978-0-9746116-4-8